Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jean Baptiste Camille Corot
Ile et pont San Bartolomeo (mk11)

ID: 20995

Jean Baptiste Camille  Corot Ile et pont San Bartolomeo (mk11)
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Jean Baptiste Camille  Corot Ile et pont San Bartolomeo (mk11)


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Jean Baptiste Camille Corot

1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.  Related Paintings of Jean Baptiste Camille Corot :. | The Forum seen from the Farnese Gardens | Site des environs de Naple (mk11) | Dunkerque (mk11) | The Bridge at Narni A study (mk05) | La cour d'un marechal-ferrant pres de la Seine (mk11) |
Related Artists:
Henry Smartly
painted Ship QUEEN VICTORIA - a Close Call Entering Le Havre in 1843
ARALDI, Alessandro
Italian Painter, ca.1460-1530 He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of early Venetian Renaissance painters such as Giovanni Bellini and Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, and for the age, more modern, style.
Manuel Dias de Oliveira
(1764 - 1837)






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